With regards to the highly charged universal social issues contained within the show, INCOGNITO can be used as a vital educational tool for both students and theater patrons. In addition to conducting post-show talk-backs generating very powerful discussions, Michael has developed a series of workshops delving further into the ideas of race, stereotypes, acceptance, and family history. These powerful workshops conducted in conjunction with the play can make for an enlightening educational experience. They can also be combined with a series of performance-based classes in acting, improvisation, or writing. Sessions can be tailored for each particular setting; whether it is a short 30 minute primer, a traditional 45-50 minute school class period, an in-depth 90 minute session, or a residency lasting up to a week. For information and details on workshops, see HOW IS INCOGNITO EDUCATIONAL / WORKSHOPS .

The issues the play exposes, along with the conjoining workshops follow many of the Learning Standards established by Educational systems across the country. There are also many connections to the “Character Counts” initiatives used by many school districts nationwide.
Post-show talk-backs have generated highly spirited discussions for audience members of all ages and colors. These important conversations can have a profound effect on people’s attitudes about race and acceptance. In addition, many folks have shared incredibly personal family stories with Michael after shows, allowing them a channel to express a shared experience.

“To discuss his revelation in too much detail would spoil much of the fun. But since racial and cultural divides – major themes threaded through the work – are often the elephants in the room that nobody is willing to talk about, a show that confronts the differences between blacks and whites is positively cathartic.

Fosberg’s story is well-paced, carefully crafted and undeniably affecting. This would be a fascinating evening for teenagers, not the least because issues of race and exclusion are best discussed when personalized in such a powerful and yet funny and human fashion.”

  —Chris Jones, Chicago Tribune